Musica antica

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Musica antica

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Musica Antica

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Musica della Antica Roma: Lares- Synaulia. Walter Maioli.

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musica antica

Avoid disclosing contact information email addresses, phone numbers, etc. We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.Vincenzo Galilei born 3 AprilSanta Maria a MonteItaly died 2 JulyFlorenceItaly was an Italian lutenistcomposerand music theoristand the father of astronomer and physicist Galileo Galilei and the lute virtuoso and composer Michelagnolo Galilei.

Vincenzo was a figure in the musical life of the late Renaissance and contributed significantly to the musical revolution which demarcates the beginning of the Baroque era. In his study of pitch and string tension, Galilei produced perhaps the first non-linear mathematical description of a natural phenomenon known to history. Many scholars [ citation needed ] credit him with directing the activity of his son away from pure, abstract mathematics and towards experimentation using mathematical quantitative description of the results, a direction of importance for the history of physics and natural science.

He was born around in Santa Maria a MontePisa, Tuscany [2] and began studying the lute at an early age. Sometime before he moved to Pisawhere on 5 July he married Giulia Ammannati of a noble family. Galileo Galilei was the oldest of six or seven children; another son, Michelagnoloborn in[3] became an accomplished lutenist and composer.

Galilei was a skilled player of the lute who early in life attracted the attention of powerful patrons. In he met Gioseffo Zarlinothe most important music theorist of the sixteenth century, in Veniceand began studying with him. Galilei composed two books of madrigalsas well as music for lute, and a considerable quantity of music for voice and lute; this latter category is considered to be his most important contribution as it anticipated in many ways the style of the early Baroque.

The use of recitative in opera is widely attributed to Galilei, since he was one of the inventors of monodythe musical style closest to recitative. Sometime in the s his interests in music theory, as well as his composition, began to move in this direction.

Some of Galilei's most important theoretical contributions involve the treatment of dissonance : he had a largely modern conception, allowing passing dissonance "if the voices flow smoothly" as well as on-the-beat dissonance, such as suspensionswhich he called "essential dissonance.

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Vincenzo Galilei was one of the pioneers in the systematic study of acoustics, mainly in his research assisted by his son Galileo in the mathematical formula of stretched strings. Galileo told his biographer that Vincenzo introduced him to the idea of systematic testing and measurement through their Pisa house basement which was strung with lengths of lute string materials, each of different lengths, with different weights attached.

Galilei made discoveries in acousticsparticularly involving the physics of vibrating strings and columns of air. He discovered that while the ratio of an interval is proportional to string lengths - for example, a perfect fifth has the proportions of - it varied with the square root of the tension applied and the cube root of concave volumes of air.

Weights suspended from strings of equal length need to be in a ratio of to produce the perfect fifth. This work was taken further by Marin Mersenne who formulated the current law of vibrating strings. Mersenne was a regular correspondent to many scientists and, after the death of Vincenzo he maintained a regular link to Galileo, and treated him as a prized member of his scientific network.

He communicated Galileo's ideas for a pendulum clock to Christiaan Huygens who improved on it. Despite being a priest, Mersenne defended Galileo when he came under attack by the church inbut he also questioned Galileo's claims and disputed the accuracy of some of Galileo's findings.

He conducted his own duplicate experiments which improved on their accuracy. From Wikipedia, the free encyclopedia.Log in to get trip updates and message other travelers. Sorry, there are no tours or activities available to book online for the date s you selected.

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Selected filters. No results found.The ensemble is open to all undergraduate and graduate students who are interested in exploring Renaissance and Baroque music, more specifically from the fifteenth to the eighteenth centuries. Previous concerts have focused on both sacred and secular music, including sixteenth-century dances, motets, madrigals, early opera, and other instrumental and vocal genres. Valerio Morucci began his career as performer and music historian in Rome, where he graduated with a laurea from the University of Rome.

His primary area of research focuses on Renaissance and Baroque music, particularly on patronage, performance practice, and theory from the sixteenth to the early eighteenth centuries. His secondary interests concern music in medieval monastic liturgy, musical paleography, and music in fascist Italy.

He is the founder and director of the early music ensemble Musica antica. Faculty and student ensemble performances occur frequently throughout each semester.

Musica Antica Early Music Ensemble The ensemble is open to all undergraduate and graduate students who are interested in exploring Renaissance and Baroque music, more specifically from the fifteenth to the eighteenth centuries.

About the Director Valerio Morucci began his career as performer and music historian in Rome, where he graduated with a laurea from the University of Rome. Search Early Music on the California and Nevada Library lending system Ensemble Performances at the University Faculty and student ensemble performances occur frequently throughout each semester.View a full description of this dissertation. The following text was automatically extracted from the image on this page using optical character recognition software:.

All of these men of common opinion affirm that what is sung today is the most ancient diatonic ditoniaion, the proportions of which were investigated with shrewd deliberation by the strict Pythagoras of Samos12 in the sixtieth olympiad. The Chronicles13 of Euseius. He made no real innovations, but his trea- tise was a standard work, much in demand long after his death, as a clear expo- sition of the ancient musical number theories, 11Carlo Valgulio Bresciano is known for his translation and commentary of the pseudo-Plutarchian treatise On Music.

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There is an Italian translation of both the text of Plutarch and the commentary in one of Vincenzo Galilei's manuscripts Florence, B. His teachings, dis- seminated by his many followers, undoubt- edly suffered numerous modifications. His strict number theories, which limited the musical consonances to the octave, fourth, and fifth, necessitated a disso- nant major third, and precluded the pos- sibility of modulation.

Pythagoras taught that numbers were the soul of the universe. He related the numerical pro- portions to the heavenly bodies, thus. Show all pages in this dissertation. This dissertation can be searched.

musica antica

Note: Results may vary based on the legibility of text within the document. Basic information for referencing this web page. We also provide extended guidance on usage rights, references, copying or embedding. Herman, Robert H. Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. These controls are experimental and have not yet been optimized for user experience. Reset Brightness 0.

Reset Contrast 0. Reset Saturation 0. Reset Sharpness 0. Reset Exposure 0. Reset Hue 0. Reset Gama 0. Applying filters. The following text was automatically extracted from the image on this page using optical character recognition software: 47 writers, have openly admitted.The purpose of this study is to provide a practical English translation of Vincenzo Galilei's significant treatise on ancient and modern music In spite of the important place this work holds in the history of music, it has never before been made available in its entirety in any language other than the original Italian.

This volume includes the front matter and chapters Herman, Robert H. It has been viewed times, with 75 in the last month. More information about this dissertation can be viewed below. People and organizations associated with either the creation of this dissertation or its content. For guidance see Citations, Rights, Re-Use. The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much more.

Descriptive information to help identify this dissertation. Follow the links below to find similar items on the Digital Library. Unique identifying numbers for this dissertation in the Digital Library or other systems. Theses and dissertations represent a wealth of scholarly and artistic content created by masters and doctoral students in the degree-seeking process. What responsibilities do I have when using this dissertation?

Dates and time periods associated with this dissertation. Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. Showing of pages in this dissertation.

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Description The purpose of this study is to provide a practical English translation of Vincenzo Galilei's significant treatise on ancient and modern music Physical Description xiv, leaves: ill. Who People and organizations associated with either the creation of this dissertation or its content. Author Herman, Robert H. Hieble, Jacob Jeffrey, Lloyd N.

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Place of Publication: Denton, Texas. Provided By UNT Libraries The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much more. About Browse this Partner. What Descriptive information to help identify this dissertation. Zarlino, Gioseffo, Language English. Item Type Thesis or Dissertation. Identifier Unique identifying numbers for this dissertation in the Digital Library or other systems.

Call Number : N81d no. Collections This dissertation is part of the following collection of related materials. UNT Theses and Dissertations Theses and dissertations represent a wealth of scholarly and artistic content created by masters and doctoral students in the degree-seeking process. About Browse this Collection. Digital Files image files available in multiple sizes 1 file.

When Dates and time periods associated with this dissertation. Creation Date August Description Last Updated Sept. Usage Statistics When was this dissertation last used? Yesterday: 1.Per 2 oktober vindt ieder concert plaats met niet meer dan 30 bezoekers, met verplichte mondkapjes. Lees hier wat de beperkende maatregelen voor onze concerten betekenen. Het programma voor komend seizoen bevat minder concerten dan gebruikelijk, maar kijkt u eens hoe bijzonder ze zijn.

Meerdere geannuleerde concerten hebben we alsnog een plaats kunnen geven. En om met de beperkte maxima aan bezoekersaantallen toch zoveel mogelijk bezoekers een plaats te kunnen geven, kunnen we u bijna alle concerten twee maal achtereen aanbieden. Om uw bezoek aan onze concerten in de Lutherse Kerk, Paleiskerk, Kloosterkerk en Kasteel Duivenvoorde zo veilig mogelijk te laten verlopen hebben wij op basis van de 1,5-meter-samenleving en het protocol van het RIVM een aantal richtlijnen opgesteld.

De veiligheid en gezondheid van onze bezoekers, musici en medewerkers staat voorop.

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Daarom is het belangrijk dat u alleen naar de Musica Antica-concerten komt als u geen gezondheidsklachten hebt. Verkoop van de concertkaartjes vindt uitsluitend van tevoren via het bestelformulier of onze website plaats. Bij de concertkassa kunt u geen kaartjes kopen. Bezoekers uit meerdere huishoudens bestellen apart. Bij binnenkomst informeren wij u over de huisregels en vragen wij u uw handen te wassen met desinfecterende gel en uw mondkapje op te zetten.

Uw jas en eventuele tas houdt u tijdens het concert bij u; de garderobe is gesloten.

Vincenzo Galilei

Eenmaal gezeten kunt u uw mondkapje afnemen. De concerten vinden dit seizoen zonder pauze plaats. Wij vragen u in de zaal voor en tijdens het concert te blijven zitten, tot en met het slotapplaus.

Na afloop zet u uw mondkapje weer op verlaat u op aanwijzing van de Musica Antica-stewards de zaal. Tijdens de periode van beperkende maatregelen is er helaas geen pauzedrankje mogelijk. Plaatsen worden bij binnenkomst in de zaal door Musica Antica-stewards aangewezen.

Hierbij wordt de 1,5-meter-afstand tussen bezoekers altijd gehandhaafd. Wanneer u slecht ter been bent of in een rolstoel komt, geeft u dit graag tevoren door op office musantica.

Wij zorgen voor begeleiding naar een plaats. Maakt u zo min mogelijk gebruik van de w. Nederland heeft op dit gebied een internationale reputatie, en jonge, talentvolle musici uit alle delen van de wereld komen naar ons land om zich hier te specialiseren.

Musica Antica investeert in deze nieuwe generatie en kiest voor u de beste en interessantste musici. Wij vinden het belangrijk dat de musici een eigen visie ontwikkelen en daardoor muzikaal echt iets te zeggen hebben. Daarmee treedt Musica Antica in de voetsporen van de nieuwsgierige pioniers van de Oude Muziekbeweging. Onze musici maken door hun enthousiasme en contact met het publiek ieder concert tot een inspirerende muzikale belevenis: ze raken je in het hoofd en in het hart.

Komende concerten alle concerten. Maximaal 30 bezoekers per concert; mondkapjes verplicht. Concertbezoek in tijden van Corona. Veiligheid Om uw bezoek aan onze concerten in de Lutherse Kerk, Paleiskerk, Kloosterkerk en Kasteel Duivenvoorde zo veilig mogelijk te laten verlopen hebben wij op basis van de 1,5-meter-samenleving en het protocol van het RIVM een aantal richtlijnen opgesteld. Uw bezoek De veiligheid en gezondheid van onze bezoekers, musici en medewerkers staat voorop.

Kaartverkoop Verkoop van de concertkaartjes vindt uitsluitend van tevoren via het bestelformulier of onze website plaats. Bij het concert Bij binnenkomst informeren wij u over de huisregels en vragen wij u uw handen te wassen met desinfecterende gel en uw mondkapje op te zetten. Placering Plaatsen worden bij binnenkomst in de zaal door Musica Antica-stewards aangewezen.


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